Diretores

Aly Muritiba

Born in Mairi, Bahia, Brazil, in 1979. He is a director and screenwriter, and made shorts such as “The Factory” (2011), “Quadrangle” (2013) and “Tarântula” (2015). Muritiba directed features like “To My Beloved” (2015, 39th Mostra), “Rust” (2018), “Irmãos Freitas” (2019, 43rd Mostra), co- directed with Sérgio Machado, and “Private Desert” (2021, 45th Mostra), awarded at the Venice International Film Festival and was chosen to represent Brazil at the Academy Awards for best international film. His works have been presented at film festivals such as Sundance, San Sebastián and Cannes. For TV and streaming platforms, he directed episodes of series such as “O Hipnotizador”, “Carcereiros”, “Irmãos Freitas”, “Irmandade”, “O Caso Evandro”, “Cangaço Novo” and “Cidade de Deus: A Luta Não Para”.

Bárbara Paz

Born in Rio Grande do Sul, Brazil, in 1974. Graduated from the Escola de Teatro Macunaima and from Centro de Pesquisa Teatral (CPT), coordinated by the director Antunes Filho. Theater, cinema and television actress, she participated in plays such as Hell and Vênus em Visom, both directed by Hector Babenco. She also worked in the short Produto Descartável (2003), for which she was awarded best actress at Gramado Festival, and in the features Se Puder… Dirija (2013), Never Old to Meow (2014) and My Hindu Friend (2015, 39th Mostra). Bárbara directed the shorts Making of My Hindu Friend (2015, 39th Mostra) and Talk to Him (2018, 42nd Mostra). Her first feature film as a director, Babenco - Tell Me When I Die (2019, 43rd Mostra), won the award for best documentary at Venice International Film Festival.

Felipe Gómez Aparicio

Felipe Gomez Aparicio was born in 1977, in Buenos Aires, Argentina He earned his degree in film production at the Cinematographic Research Center (CIC). He has helmed commercials for many of the top production companies in the world, quickly becoming one of his country’s foremost ad directors and earning him recognition as the 13th most awarded director by The Gunn Report, a comprehensive global listing of top advertising talent. His work has garnered a number of international accolades including multiple Cannes Lions, Clio Awards, Epica Awards, the Argentine Creative Circle’s El Diente Award, YouTube Ad of the Year, and the Martín Fierro Award among others.

Today, Felipe divides his time between Madrid and Buenos Aires, but his daily life affords him the privilege of filming in distant cities and amongst different cultures, constantly forming deeply treasured bonds and having experiences that will surely be part of the stories of his future feature films.

The Perfect David is his feature debut, premiered at the Tribeca Film Festival.

Hector Babenco

Born in Buenos Aires, Argentina, in 1946, he became a Brazilian citizen in 1970. He directed the films: “The King of the Night” (1975, 45th Mostra), “Lucio Flávio” (1977), winner of the audience award at the 1st Mostra and re-screened at the 40th Mostra, “Pixote” (1981, 18th Mostra), “Kiss of the Spider Woman” (1985, 9th Mostra), for which he was nominated for an Oscar for best director, “Ironweed” (1987), nominated for an Oscar for best actor and best actress, “At Play in the Fields of the Lord” (1991), “Foolish Heart” (1996), “Carandiru” (2003), “The Past” (2007, the title that opened the 31st Mostra), “The Man who Stole a Duck”, an episode of the feature film “Words with Gods” (2014, 38th Mostra), and “My Hindu Friend” (2015), the opening feature of the 39th Mostra. He won the Leon Cakoff Prize at the 37th Mostra, in recognition of his career. Babenco died in São Paulo, at the age of 70, in 2016.

Hong Sang-soo

Born in Seoul, South Korea, in 1960. In 1996, he released his first feature film, “The Day a Pig Fell into the Well”, winner of the Tiger award at the International Film Festival Rotterdam. He also made films like: “Virgin Stripped Bare by Her Bachelors” (2000), “Woman Is the Future of Man” (2004), “Tale of Cinema” (2005, 38th Mostra), “Hahaha” (2010), winner of the Un Certain Regard award at the Cannes Film Festival, “The Day He Arrives” (2011, 35th Mostra), “In Another Country” (2012), “Nobody’s Daughter Haewon” (2013), “Right Now, Wrong Then” (2015), winner of the Golden Leopard at the Locarno Film Festival, “Yourself and Yours” (2016), best direction at the San Sebastián Film Festival. Mostra has also presented “The Day After” (2017), “Grass” and “Hotel by the River”, both from 2018, “The Woman who Ran” (2020), for which one he won best director award at the Berlinale, “Introduction” (2021), prize of best screenplay at the same film festival, “The Novelist`s Film” (2022), winner of the grand jury prize at the Berlin International Film Festival, “In Our Day” (2023) and “In Water” (2023).

Karim Aïnouz

Born in Fortaleza, Ceará, Brazil, in 1966. He graduated in architecture and urbanism from the Brasilia University and has a master in theory and history of cinema from the New York University. In the 2000’s, he collaborated with the scripts of movies like Shredded April (2001), by Walter Salles, Cinema, Aspirins and Vultures (2005, 30th Mostra), by Marcelo Gomes, and Lower City (2005, 29th Mostra), by Sérgio Machado. Aïnouz made his debut in feature films direction in 2002 with Madame Satã, screened at the 26th Mostra. He also directed Suely in the Sky (2006, 30th Mostra), I Travel Because I Have To, I Come Back Because I Love You (2009), in partnership with Marcelo Gomes, The Silver Cliff (2011), Futuro Beach (2014), Central Airport: THF (2018, 42nd Mostra) and The Invisible Life (2019, 43rd Mostra), winner of Un Certain Regard section at Cannes Film Festival.

Mahamat-Saleh Haroun

Born in Abéché, Chad, in 1960. In 1982, he moved to Paris to begin his career as a journalist and filmmaker. He studied film at the Conservatoire Libre du Cinéma Français and journalism at Bordeaux. Haroun worked as a journalist before directing his debut short film, Maral Tanié (1994). His first feature, Bye-Bye Africa (1999), was awarded best first feature at the Venice Festival. He has also directed Our Father (2002) and Dry Season (2006, 31st Mostra), winner of the Special Jury Prize at the Venice Festival. His fourth feature, A Screaming Man (2010), was awarded Special Jury Prize in Cannes. The film was also presented at the 34th Mostra, which honored the director with a Humanity Award in recognition of his political and aesthetic struggle for his country’s cinema. Until early 2011, Chad had no functioning theatres. Thanks to the director’s pressure and prestige, the government restored Normandie, an old cinema that was reopened in the capital N’Djamena. He was also a member of the International Jury at the 35th Mostra. He also made Grigris (2013, 37th Mostra) and A Season in France (2017).

Marco Bellocchio

Born in the province of Piacenza, Italy, in 1939. He had a catholic education during his teenage years, and in the late 1950s he joined the Centro Sperimentale di Cinematografia in Rome. One of the greatest directors in the history of Italian cinema, his first feature film is the acclaimed classic “Fists in the Pockets” (1965, 30th Mostra). He also directed “China is Near” (1967, 30th Mostra), “Leap into the Void” (1980, 4th Mostra), “The Eyes, the Mouth” (1982), “Devil in the Flesh” (1986), “The Conviction” (1991), “My Mother’s Smile” (2002), “Good Morning, Night” (2003), “Vincere” (2009, 33rd Mostra), “Sorelle Mai” (2010, 35th Mostra) and “Dormant Beauty” (2012, Critics’ Prize at the 36th Mostra). His work was awarded awards at film festivals such as Cannes, Venice, Berlin and Locarno. At the 40th Mostra, in 2016, he screened some of the most significant films of his career, signed the art design of the poster, and received the Leon Cakoff Prize. After that, he directed films like “Blood of My Blood” (2015), “Sweet Dreams” (2016), “The Traitor” (2019), “Marx Can Wait” (2021, 45th Mostra), and “Exterior Night” (2022), winner of the critics’ prize for best international film at the 46th Mostra.

Pedro Almodóvar

The most important Spanish filmmaker since Buñuel, Almodóvar was born in Calzada de Calatrava in 1949. He signed the poster art for the 38th Mostra, edition of the event that paid tribute to the director with a retrospective of his films. Among his main works are Dark Habits (1983); What Have I Done to Deserve This? (1984); Women on the Verge of a Nervous Breakdown (1988), best screenplay at Venice International Film Festival; Law of Desire (1987); Tie Me Up! Tie Me Down! (1989); The Flower of My Secret (1995); All about My Mother (1999), winner of the direction award at Cannes Film Festival and the Academy Award of best foreign language film; Talk to Her (2002), for which he received the Academy Award of best original screenplay; Volver (2006), best screenplay at Cannes; The Skin I Live in (2011) and Pain and Glory (2019). 

Radu Jude

Born in Romania in 1977. He graduated in the filmmaking department of media at the University of Bucharest. In 2009, he made his debut in feature films direction with “The Happiest Girl in the World”. From him, Mostra presented the feature films “Aferim!” (2015), winner of the Silver Bear for best director at the Berlin International Film Festival, “Scarred Hearts” (2016), winner of the special jury prize at the Locarno Film Festival, “I Do Not Care if We Go Down in History as Barbarians” (2018), best film at the Karlovy Vary International Film Festival, “The Exit of the Trains” (2020), “Bad Luck Banging or Loony Porn” (2021), winner of the Golden Bear at the Berlinale, and “Do Not Expect Too Much From the End of the World” (2023), which won the special jury prize at Locarno.

Rodrigo Areias

Born in Portugal in 1978. He studied audiovisual at the Portuguese Catholic University and later specializing in film at NYU Tisch School of the Arts. He has produced and co-produced films works for authors such as FJ Ossang, Gabe Klinger, Eduardo Williams, Lois Patiño, Matias Piñeiro, Edgar Pêra, João Canijo, Ana Rocha de Sousa and André Gil Mata, screened in film festivals like Cannes, Berlin, Venice, Rotterdam, Locarno, Clermont-Ferrand and Annecy. He was also responsible for the cinema production for the Guimarães 2012 – European Capital of Culture. Areias directed feature films like “Thebes” (2007), “Hay Road” (2012), “1960” (2013), “Ornament and Crime” (2015), “Blue Breath” (2018), “Surdine” (2019) and “Down by Life” (2020), all of them presented at Mostra. In 2022, Rodrigo Areias was a member of the jury of the 46th Mostra. At the 48th Mostra, he also presents “The Stone Dreams to Blossom” and “The Worst Man in London”.

Tsai Ming-Liang

Born in Malaysia in 1957 and moved to Taiwan in 1977, where he studied cinema and began his career. He is one of the most prominent film directors of the contemporary cinema and directed films such as “Rebels of the Neon God” (1992), “Vive l’Amour” (1994), winner of the Golden Lion at the Venice International Film Festival, “The River” (1997, 21st Mostra), which won the Silver Bear at the Berlin International Film Festival, “The Hole” (1998), critics’s prize at the Cannes Film Festival, “What Time Is it There?” (2001, 26th Mostra), “The Skywalk Is Gone” (2002, 27th Mostra), “Goodbye, Dragon Inn” (2003, 27th Mostra), “The Wayward Cloud” (2004), “Stray Dogs” (2013), winner of grand special jury prize at Venice, and “Days” (2020, 44th Mostra), that won the special mention of Teddy Award at the Berlinale. He has also directed “Aquarium”, a segment of the feature “Welcome to São Paulo” (2004), produced by Mostra, and the feature “Face” (2009), on invitation of the Louvre Museum. In recent years, he has also dedicated himself to the possibilities of exhibition spaces in museums and galleries through art installations.

Walter Salles

Born in Rio de Janeiro, Brazil, in 1956. His first documentaries, “Krajcberg, the Poet of the Traces” (1986) and “Socorro Nobre” (1995), won awards at several festivals. He was a member of the 19th Mostra’s international jury, in 1995. In partnership with Daniela Thomas, he directed “Foreign Land” (1995, 29th Mostra), “Midnight” (1998, 23rd Mostra), a segment of “Paris, I Love You” (2006, 30th Mostra) and “Linha de Passe” (2008, 37th Mostra), winner of the best actress award for Sandra Corveloni at the Cannes Film Festival. Salles is also the director of “Central Station” (1998), winner of the Golden Bear and the Silver Bear for best actress for Fernanda Montenegro at the Berlin International Film Festival and nominated for an Oscar, “Behind the Sun” (2001), “The Motorcycle Diaries” (2004), “On the Road” (2012) and “Jia Zhangke, a Guy from Fenyang” (2014, 38th Mostra). At the 41st Mostra, Salles presented the short movie “When the Earth Trembles”, part of the feature film “Where Has the Time Gone?” (2017). In 2020, he received the Fiaf Award from the International Federation of Film Archives for his work in favor of Brazilian cinematographic memory.