45ª Mostra Internacional de Cinema em São Paulo

film cover

International Perspective

Lingui: The Sacred Bonds

Lingui

France, Chad, Germany 2021 Fiction Cor 87 min.

On the outskirts of N`djamena in Chad, Amina lives alone with her only 15-year-old daughter Maria. Her already fragile world collapses the day she discovers that her daughter is pregnant. The teenager does not want this pregnancy. In a country where abortion is not only condemned by religion, but also by law, Amina finds herself facing a battle that seems lost in advance.

Presented at Cannes and London film festivals.

Horários de exibição

22/10

21:00

CINESESC

28/10

14:00

CINE MARQUISE Sala Globoplay 1

29/10

19:00

ESPAÇO ITAÚ DE CINEMA - AUGUSTA SALA 1

30/10

16:30

RESERVA CULTURAL - SALA 1

01/11

13:30

ESPAÇO ITAÚ DE CINEMA - FREI CANECA 1

France Chad Germany motherhood social portrait international festivals

direção

Mahamat-Saleh Haroun

roteiro

Mahamat Saleh Haroun

fotografia

Mathieu Giombini

montagem

Marie-Hélène Dozo

desenho de som

Thomas Bouric

música

Wasis Diop

elenco

Achouackh Abakar Souleymane, Rihane Khalil Alio, Youssouf Djaoro, Briya Gomdigue, Hadjé Fatimé Ngoua

produtor

Florence Stern, Diana Elbaum

produzido por

GoiGoi Productions, Pili Films

distribuição

MUBI

Mahamat-Saleh Haroun

Born in Abéché, Chad, in 1960. In 1982, he moved to Paris to begin his career as a journalist and filmmaker. He studied film at the Conservatoire Libre du Cinéma Français and journalism at Bordeaux. Haroun worked as a journalist before directing his debut short film, Maral Tanié (1994). His first feature, Bye-Bye Africa (1999), was awarded best first feature at the Venice Festival. He has also directed Our Father (2002) and Dry Season (2006, 31st Mostra), winner of the Special Jury Prize at the Venice Festival. His fourth feature, A Screaming Man (2010), was awarded Special Jury Prize in Cannes. The film was also presented at the 34th Mostra, which honored the director with a Humanity Award in recognition of his political and aesthetic struggle for his country’s cinema. Until early 2011, Chad had no functioning theatres. Thanks to the director’s pressure and prestige, the government restored Normandie, an old cinema that was reopened in the capital N’Djamena. He was also a member of the International Jury at the 35th Mostra. He also made Grigris (2013, 37th Mostra) and A Season in France (2017).

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